At Masonic Center, 373 N. Main St., Sebastopol: May 16-17 & 23-24
All performances at 8:00 p.m. - $18 general, $15 students & seniors
Created by Conrad Bishop & Elizabeth Fuller in an entirely new staging by The Independent Eye’s Mythic Kitchen ensemble.
Based on a 5,000-year-old Sumerian myth from the land that is now Iraq, this live theatrical animation features 17 large puppets, 8 actors, music, video, and the dazzling richness, broad humor and erotic imagery of the ancient texts.
A stunning tale of a goddess’s coming of age, mating, death and rebirth, it’s the earliest recorded resurrection story—and one for today.
Information: 707-824-4307 or E-mail
Tickets: brownpapertickets.com
Our solo clown nightmare featuring Elizabeth Fuller and her seven sisters, all named Elizabeth—the Developer, the Plumber, the Dreamer, the Inspector, the Gambler, the Slut—trying to build a workable identity out of wigs, ladders, and plumbing pipe.
“It’s what Allen Ginsberg might have written had he been a woman.”—North Bay Bohemian
Production details, photos, reviews
Now booking for future tour.
Premiere work of the Eye’s new puppet/mask ensemble The Mythic Kitchen. A 20-minute drama, featuring rod and shadow puppets, based on a Chinese story, about a king whose dead queen is revived by a puppet master.
The ancient Norse equivalent of the Apocalypse. The Gods see themselves under dire threat of attack by the Primal Ones, and, in the name of security, methodically set up the means of their own self-destruction.
On his historic round-the-world voyage, Francis Drake put his friend Sir Thomas Doughty on trial for sedition, mutiny and black magic. A death sentence. Then the prosecutor and the condemned sat down privately to a sumptuous meal. What did they talk about?
And in another time zone, a young woman drives to L.A. on a business trip, but finds herself haunted by Drake and Doughty, munching French fries.
Gold Rush country. Wartime, 1944. Justice and community fragmentation in a climate of fear. A local war hero is killed while hunting. Suspicion falls on “Wild Bill” Ebaugh, a long-haired eccentric rumored to run naked in the woods, have many lovers, poach livestock and serenade the hills. A bounty is posted, a young man shoots him dead and collects three hundred bucks. Justice or murder? Was Ebaugh a dangerous psychotic or a gentle giant? The ensuing firestorm of controversy cast a long shadow over Nevada County for decades. The play centers on three families: those of the murder victim, the relentless sheriff, and the young bounty hunter.







